Dear Readers —
2018 was a tough year for us and the Filipinx American community. We are connected to the Filipinx American community in the Bay Area, in California, and in many ways, documenting stories in these and communities around us is our life’s work. As artists, writers, scholars, and editors, we seek to bring our readership work that is reflective of writing that thoughtfully stretches people’s imaginations, that is coping with present reality and offers itself as hope, and offers a fresh or reminding lens of our complex lives.
Issue Eight is dedicated to Pinay Historian Dr. Dawn Bohulano Mabalon, who passed away in August of 2018. We have, collectively as editors, crossed paths with her in various capacities all over the United States, but particularly in the San Francisco Bay Area—with Pin@y Educational Partnerships, with Bindlestiff Studio, at conferences, and even at hip hop artist Ruby Ibarra’s “Us” music video shoot in February of 2018 at Balboa High School. We have learned from her in classrooms, and in community spaces that she has nurtured throughout her life and career. We are saddened by her absence.
Mabalon was also a poet and writer whose works have been performed and published in Filipina American-led publications like Our Own Voice Literary E-zine, from where we are re-publishing her 2011 essay “Bohulano Family Binangkal” about the history of a family dessert and her reasons for re-making it.
Writing and reading are acts of preserving memories and addressing our realities. In 2018 and onwards into 2019, we seek to continue this work:
We published our first digital issue—Issue Seven—and we are continuing with our Issue Eight, where we added a new section called the Editors’ Corner that features stories we each individually wanted to pursue. We welcomed our new editor, mgb, who was the catalyst in re-publishing Dr. Mabalon’s work. We are excited to announce our calendar of publication, to create transparency with writers who are interested in publishing with us. In August 2018, we hosted a reading with the Pilipinx American Library at the Asian Art Museum in San Francisco. In Fall 2018, we started plans for an upcoming visual and literary arts show that we hope to curate and premiere in 2019.
And finally, TAYO and The Feminist Press announced the winner of the second Louise Meriwether First Book Prize to writer Claudia D. Hernández for her memoir, Knitting the Fog. We were honored to interview her for our Issue Eight about the process of writing her moving debut. The Feminist Press will publish Hernández’s book in 2019, and you can read an excerpt of it in this issue.
For the new year, we are excited to announce with The Feminist Press the 3rd winner of the Louise Meriwether First Book Prize in March 2019.
Thank you for building with us, dear reader.
— “HAG, a Series” by Rosario Margate
Table of Contents
The Makings of a Fashion-Forward Future:
An Interview with Caroline Mangosing,
by Editor Janice Sapigao
In Honor of Dr. Dawn Bohulano Mabalon,
by Editor mgb
Knitting the Fog:
An Interview with Claudia Hernández
by Editor Melissa R. Sipin
VISUAL ARTSTS in issue eighT
cover artist —
J.K. Chukwu is a writer and visual artist from the Midwest. Overall, her writing and art are rooted in examining the strangeness and depravity of everyday life. She graduated from the University of Chicago with a BA in English Language and Literature and Gender and Sexuality Studies. Currently, she is studying at Brown University for her MFA in Fiction Writing. Find her at dollarstoreartist.com.
A Series of Paintings
Allen Forrest is a writer and graphic artist for covers and illustrations of literary publications and books. The winner of the 2015 Leslie Jacoby Honor for Art at San Jose State University's Reed Magazine, he lives in Vancouver, BC, Canada. His Bel Red landscape paintings are part of the Bellevue College Foundation's permanent art collection in Bellevue, WA. To find more of his published works, please visit him online or browse his graphic narrative collection here.
Nelson Lowhim was born in Tanzania and is of Indian, Seychelles, Euro background. He lived in India for a year. At age 10, he moved to the States (all over) and currently lives in Seattle with his wife. He served in served in the US Army and has been published in Red Rock Review, Adbusters, BlazeVox, Talking Writing, Flyway Journal, and Omni, among others.
Mahsa Sadeqi was born in Ahvaz, Iran. His field is in graphics from Technical University of Vali’asr. He is a member of Paradise Ocean Artistic Team with management by Seyed Morteza Hamidzadeh.
Sarah Estime is an Aircraft Mechanic in the Air Force. When she is not working at her day job, she is conducting photo shoots for her community. She has been published in Burner Magazine, Words Apart Magazine, and Midwestern Gothic. She was also a recipient for the 2010 Arts For the Future Award with a medium in photography.
A Series of Paintings
Rebecca Pyle’s artwork is also in Tishman Review, Emerson Review, and William and Mary Review; Oxford Magazine, Stoneboat, Journal, and on the cover of The American Underwater Songbook, published by Underwater New York. Rebecca is a writer, too. She lives east of The Great Salt Lake, and west of and below the mountain mining town which the Sundance Film Festival returns each winter. See her art portfolio: rebeccapyleartist.com.
A Series of Photography
Jury S. Judge is an internationally published artist, writer, poet, photographer, and political cartoonist. Her “Astronomy Comedy” cartoons are published in Lowell Observatory's publication, The Lowell Observer. Her artwork has been published in literary magazines such as Northwestern Indiana Literary Review, The Tishman Review, Amsterdam Quarterly, Cardinal Sins, and The Raven Chronicles. She has been interviewed on the television news program, NAZ Today, for her work as a political cartoonist. She graduated Magna Cum Laude with a BFA from the University of Houston-Clear Lake in 2014. If you are interested in her artwork, email her: jurysjudge [at] gmail [dot] com.